Showing posts with label teddy wayne. Show all posts
Showing posts with label teddy wayne. Show all posts

17 December 2012

The shades of Dickens

This weekend I went to Housing Works' third annual reading of A CHRISTMAS CAROL. I haven't been to the play in years, but since Housing Works started doing this three years ago, I find it a welcome substitute.

I wasn't able to arrive until midway through the visit of the Ghost of Christmas Present, but I felt lucky to see Mike Albo act out one of the people who came to loot Scrooge's belongings and put names to faces with two authors whose work I have recently enjoyed, David Goodwillie and Teddy Wayne. Simon Van Booy was the closer (with bonus appropriate accent -- he grew up in Wales after all) and said a few very nice things at the end tying the message of the book to the help that Housing Works is able to give, through donations, to people who are homeless and HIV-positive. (Next year, guys, use that opportunity to pass around a festive hat! Free idea.)

But I don't think I was the only one to find particularly evocative the stretch of "The Last Of The Spirits" in which the Cratchits mourn Tiny Tim together, as read sensitively by Times drinking columnist Rosie Schaap. Prepare to be boarded by feelings:

The mother laid her work upon the table, and put her hand up to her face.
"The colour hurts my eyes," she said.
The colour? Ah, poor Tiny Tim.
"They're better now again," said Cratchit's wife. "It makes them weak by candle-light; and I wouldn't show weak eyes to your father when he comes home, for the world. It must be near his time."
"Past it rather," Peter answered, shutting up his book. "But I think he's walked a little slower than he used, these few last evenings, mother."
They were very quiet again. At last she said, and in a steady, cheerful voice, that only faltered once:
"I have known him walk with -- I have known him walk with Tiny Tim upon his shoulder, very fast indeed."
"And so have I," cried Peter. "Often."
"And so have I," exclaimed another. So had all.
"But he was very light to carry," she resumed, intent upon her work, "and his father loved him so, that it was no trouble -- no trouble. And there is your father at the door!"
She hurried out to meet him; and little Bob in his comforter -- he had need of it, poor fellow -- came in. His tea was ready for him on the hob, and they all tried who should help him to it most. Then the two young Cratchits got upon his knees and laid, each child a little cheek, against his face, as if they said, "Don't mind it, father. Don't be grieved."
Bob was very cheerful with them, and spoke pleasantly to all the family. He looked at the work upon the table, and praised the industry and speed of Mrs Cratchit and the girls. They would be done long before Sunday, he said.
"Sunday. You went to-day, then, Robert?" said his wife.
"Yes, my dear," returned Bob. "I wish you could have gone. It would have done you good to see how green a place it is. But you'll see it often. I promised him that I would walk there on a Sunday. My little, little child!" cried Bob. "My little child!"

04 May 2011

What kind of man you are, if you're a man at all

KAPITOIL has such a great premise that it took me weeks to realize it basically collapses in on itself. The novel purports to be the transcribed audio diary of Karim Issar, who has come to New York from Qatar on a programming assignment tied to the Y2K bug at a financial services firm -- a job he takes to support his shopkeeper father and make sure his younger sister can go to college. Living in the city allows Karim to be exposed to forms of debauchery not available in Qatar, like sexy Halloween parties (a very funny scene) and Leonard Cohen, but before he has a social life he finds the time to invent an algorithm that trades stocks according to news stories from the Middle East, making his employer a fantastic, stupid amount of money in the process.

The question with which we wrestle over Karim is how he can be so morally relative in the classic end-of-the-innocence sense, until the one instance where he decides he cannot budge -- when his employer starts taking steps to own Kapitoil. This is what makes Karim so human and KAPITOIL so troublesome. It would be a great book for a discussion setting because it doesn't strain to ask, What would you do? (Judging by my reaction to the end of this book, I think he chose wrong, but that led to a fair amount of soul searching on my part over whether I was the one being the moral relativist.) The trouble isn't that Karim is smart or not smart in order to pull this all off, it's that he seems smart enough sometimes and not others. In any case, he's way over his head on a couple of levels, and that is both realistic and (because of its realism) difficult territory to cover as a reader because of his own unawareness of his trouble.

The layer of timeliness works in concert with his dilemma; as an Arab national working for a U.S. financial firm, Karim's life would be dramatically altered by 9/11 no matter what he chose in the moment, but we don't find out because the book ends in December, 2000. I only hesitate to call it a "pre-9/11 novel" as Vanity Fair did because technically that covers most of Western literature.

Contextual note: I picked this book up after reading its review in the Tournament of Books 2011 and am toying with working my way through the whole list. You could do worse than working through this list if you are pressed for time on your award winners past. For my own reference mostly, here it is:

  • FREEDOM 
  • KAPITOIL (meta-link!!!)
  • ROOM
  • BAD MARIE
  • SAVAGES 
  • THE FINKLER QUESTION (Man Booker Prize winner)
  • A VISIT FROM THE GOON SQUAD (Pulitzer winner)
  • SKIPPY DIES
  • NOX
  • LORD OF MISRULE (National Book Award winner)
  • NEXT (The Believer Book Award winner)
  • SO MUCH FOR THAT
  • SUPER SAD TRUE LOVE STORY
  • MODEL HOME
  • THE PARTICULAR SADNESS OF LEMON CAKE
  • BLOODROOT (off the blog)

21 February 2011

The Tournament of Books kicks off 2 weeks from tomorrow with FREEDOM vs. Teddy Wayne's KAPITOIL. In other news, BLOODROOT fluked it in? Really?