Showing posts with label henry james. Show all posts
Showing posts with label henry james. Show all posts

12 November 2013

26. Henry James, THE WINGS OF THE DOVE

Kate Croy and Merton Densher want to get married but they are broke. Nobody blames Kate for this, because her father has been Ruined in his Business Dealings and will now live out the rest of his life dependent on others. The London society in which they move largely places the blame on Merton, who works for a newspaper (the more things change) and has no family fortune.

If this were a Jane Austen novel, here's where a convenient older relative would die and leave somebody investments... but we're in Jamesville now, so the way the lovers determine to solve their problem is colder and less coincidental. On a business trip to America, Merton befriended an American heiress named Milly Theale, who later arrives in London and becomes Kate's best closest friend. Everyone knows Milly is very rich, almost nobody knows she is also very ill. So Kate says to Merton, what if you and Milly were to get married, knowing that she might leave you, the bereaved husband, with enormous stacks of cash? Wouldn't that be tragic. Wouldn't you be so, so sad and console yourself with the deceased's best friend, remembering the happiness they had shared?

Since this is also not an Agatha Christie novel, they all swan off to Venice -- Milly for her health, Kate because she has a rich aunt to sponsor her and nothing else to do but be wooed by Rich Aunt's favorite suitor for her, Merton to put Kate's plan into action and possibly woo her in secret, Rich Aunt's Favorite Suitor because he is rich (I suppose?)

Surprisingly, I loved this book. I didn't appreciate the density of this book at first, because it took me about 150 pages to get into its rhythms, but when I did I was able to pause at the end of each section and reflect on what had happened and may happen as a result. Thus my enjoyment of THE WINGS OF THE DOVE was stretched out for weeks, when I felt very, very close to the action. This isn't the James I remember from DAISY MILLER; the ponderousness really adds up to something. I dwelt in the world of this book as if it were science fiction.

After I finished this book, faced with the amount of ambiguity James had baked into this bizarre love triangle, I read a fair amount of criticism and analysis around THE WINGS OF THE DOVE. What actually happened is quite clear, but a lot of its impact is up for interpretation: What is Milly Theale's real diagnosis, and how was her health affected by the stir around her? How much weight does Kate actually give her family's input into her marriage, despite how she may act? How affected, or unaffected, is Merton by his errand? From reading I learned that many people see the character of Milly as relatively flat, without the complexity of her companions; to them, her illness wipes her out, making her seem too saintly. (Also, a lot of people apparently saw the '90s movie starring Helena Bonham Carter as Kate, and then were surprised that the book doesn't have any sexy scenes in it. Well, I never.)

But it was Kate whom I sought and failed to understand. I couldn't figure her out, couldn't put the clues together, and since she's the linchpin of everything that happens in THE WINGS OF THE DOVE,
I definitely couldn't, however, see her as pure villain, and I don't think James did either. (And not because of King Ambiguity.) I felt that the author had an unusual sympathy for Kate's predicament -- constrained by forces beyond her control, trying to scrape up the smallest amount of autonomy over her situation. In a way, she is the most powerless person in the whole novel, even though she can't be forced into marrying Rich Aunt's choice of men. The breaking of her will against the facts of her life is terrible to watch.

Ellen vs. ML: 59 read, 41 unread
Next up: I have a few more to recap from when I was wandering in the wilderness! Which do you like on deck, THE GRAPES OF WRATH or THE WAY OF ALL FLESH? 

31 July 2012

July Unbookening

"Libraries are always paradoxical: they are as personal as the collector, and at the same time are an ideal statement of knowledge that is impersonal, because it is universal, abstract, and so much larger than an individual life." - James Wood

Got 3 books to review
Had 1 returned to me (who wants to borrow my copy of GONE GIRL next?)
Checked 8 out from the library
12 in

Lent 3
Returned 5 to the library
Donated 19 - 2 to the Saint Marks Little Free Library, the rest to Housing Works
27 out

Did I say four unread Henry James novels? I meant five. Yeah... five. I guess I know what I'll be doing in a few months. What's your favorite James? I've only read THE TURN OF THE SCREW so I have my work cut out for me.

20 May 2011

"Henry James and Joseph Conrad actually dictated their later novels—which must count as one of the greatest vocal achievements of all time, even though they might have benefited from hearing some passages read back to them."
--Christopher Hitchens, from an essay on losing his voice in Vanity Fair. Might have???

27 January 2011

Please, make this movie

"If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead."

29 October 2010

Reading on the Road: The Ma, I'm on TV edition

Watch out D.C.! This weekend Regular Commenter Elizabeth and I are going to the Rally to Restore Sanity And/Or Fear.

I'm lugging Josh Karlen's LOST LUSTRE and Henry James' THE AMBASSADORS with me, and if I finish those I'm going to start Joanna Smith Rakoff's A FORTUNATE AGE, which I have wanted to read since seeing her at the Brooklyn Book Festival.

03 September 2009

Your Assistance Please: All high school students should read this book.

If high schools around the country aren't already back in session, they'll be in by Tuesday. At some of them, a computer will suggest what students should read. At others, the students will get to pick.

Readers, we can do better, being neither computers nor still in high school. Even if you are still in high school, you probably have some strong opinions about what should be read. Say, in a sitcom-worthy twist, you have found yourself working at a high school (doesn't have to be yours) and you get one pick to assign the kids. What do you choose?

Unlike a normal teacher, assume you are not constrained by time period, nationality or conflicts with other courses. It can be something you read in high school or something you only wish you had read in high school.

I'll put my pick in a comment, but first, here are the picks of two newly minted high school graduates with whom I am well acquainted! Since their Google searches are relatively unbesmirched, I will refer to them as I met them, as "Twin A" and "Twin B." Keep in mind, I virtually cornered them to help me with no preparation:
  • Twin A picks THE COUNT OF MONTE CRISTO because it was "exciting, well written and had the best plot ever." Also thinks more nonfiction should be assigned in general, because it isn't represented in either history or English curricula.
  • Twin B picks THE GREAT GATSBY because "not only is it an amazing book, but it also teaches you a lot about symbolism. Everything in that book represents some greater idea which ties into what Fitzgerald is trying to say. It's also beautifully written, and the imagery is striking."
(Thanks, guys.)